This man (Jones let us call

This man (Jones let us call him) has always desired the divinely ordinary things; he has married for love, he has chosen or built a small house that fits like a coat; he is ready to be a great grandfather and a local god. And just as he is moving in, something goes wrong. Some tyranny, personal or political, suddenly debars him from the home; and he has to take his meals in the front garden. A passing philosopher (who is also, by a mere coincidence, the man who turned him out) pauses, and leaning elegantly on the railings, explains to him that he is now living that bold life upon the bounty of nature which will be the life of the sublime future. He finds life in the front garden more bold than bountiful, and has to move into mean lodgings in the next spring. The philosopher (who turned him out), happening to call at these lodgings, with the probable intention of raising the rent, stops to explain to him that he is now in the real life of mercantile endeavor; the economic struggle between him and the landlady is the only thing out of which, in the sublime future, the wealth of nations can come. He is defeated in the economic struggle, and goes to the workhouse. The philosopher who turned him out (happening at that very moment to be inspecting the workhouse) assures him that he is now at last in that golden republic which is the goal of mankind; he is in an equal, scientific, Socialistic commonwealth, owned by the State and ruled by public officers; in fact, the commonwealth of the sublime future. Nevertheless, there are signs that the irrational Jones still dreams at night of this old idea of having an ordinary home. He asked for so little, and he has been offered so much. He has been offered bribes of worlds and systems; he has been offered Eden and Utopia and the New Jerusalem, and he only wanted a house; and that has been refused him... I do not propose to prove here that Socialism is a poison; it is enough if I maintain that it is a medicine and not a wine. GK Chesterton, 1910, What's Wrong With The World